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	<title>snowblood&#039;s parasol &#187; poetics of annihilation</title>
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	<description>never get to that place where you think you know</description>
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		<title>the messenger of death (2009)</title>
		<link>http://drawclose.com/snowblood/2011/11/the-messenger-of-death-2009/</link>
		<comments>http://drawclose.com/snowblood/2011/11/the-messenger-of-death-2009/#comments</comments>
		<pubDate>Wed, 02 Nov 2011 23:34:30 +0000</pubDate>
		<dc:creator>ms.snowblood</dc:creator>
				<category><![CDATA[animation]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[poetics of annihilation]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[clytemnestra remix]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[key]]></category>
		<category><![CDATA[martha graham]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[media criticism]]></category>

		<guid isPermaLink="false">http://drawclose.com/snowblood/?p=1263</guid>
		<description><![CDATA[the messenger of death (2009) my entry for clytemnestra reMix, a martha graham dance company project that allowed footage of ms. graham’s choreography for single characters from her archetypal piece clytemnestra to be manipulated by video artists.]]></description>
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		<title>the artist posed as bully</title>
		<link>http://drawclose.com/snowblood/2011/09/the-artist-posed-as-bully/</link>
		<comments>http://drawclose.com/snowblood/2011/09/the-artist-posed-as-bully/#comments</comments>
		<pubDate>Thu, 22 Sep 2011 01:21:01 +0000</pubDate>
		<dc:creator>ms.snowblood</dc:creator>
				<category><![CDATA[poetics of annihilation]]></category>
		<category><![CDATA[the critic]]></category>
		<category><![CDATA[writing]]></category>
		<category><![CDATA[artmaking]]></category>
		<category><![CDATA[creating]]></category>
		<category><![CDATA[creative process]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[eminem]]></category>
		<category><![CDATA[mask]]></category>
		<category><![CDATA[misogyny]]></category>
		<category><![CDATA[rap]]></category>
		<category><![CDATA[violence]]></category>

		<guid isPermaLink="false">http://drawclose.com/snowblood/?p=1245</guid>
		<description><![CDATA[Eminem argues with himself, his experience, his hatred in public. To answer hate with hate is to dance with him on his terms. ]]></description>
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		<title>the etiquette of ignorance : the bully</title>
		<link>http://drawclose.com/snowblood/2011/09/the-etiquette-of-ignorance-the-bully/</link>
		<comments>http://drawclose.com/snowblood/2011/09/the-etiquette-of-ignorance-the-bully/#comments</comments>
		<pubDate>Thu, 15 Sep 2011 11:22:32 +0000</pubDate>
		<dc:creator>ms.snowblood</dc:creator>
				<category><![CDATA[poetics of annihilation]]></category>
		<category><![CDATA[america]]></category>
		<category><![CDATA[archetype]]></category>
		<category><![CDATA[archetypes]]></category>
		<category><![CDATA[bully]]></category>
		<category><![CDATA[social dynamics]]></category>

		<guid isPermaLink="false">http://drawclose.com/snowblood/?p=1234</guid>
		<description><![CDATA[It the Bully&#8217;s world, there are no other human beings. There are things that walk around, bodies that are like dolls. The clothes people wear mark their social roles, determine their power-over-others. The Bully patrols public social places and enforces social roles as defined by appearances. The Bully asserts object-based social roles (by gender, by [...]]]></description>
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		<title>september eleventh two thousand one</title>
		<link>http://drawclose.com/snowblood/2011/09/september-eleventh-two-thousand-one/</link>
		<comments>http://drawclose.com/snowblood/2011/09/september-eleventh-two-thousand-one/#comments</comments>
		<pubDate>Sun, 11 Sep 2011 11:49:55 +0000</pubDate>
		<dc:creator>ms.snowblood</dc:creator>
				<category><![CDATA[poetics of annihilation]]></category>

		<guid isPermaLink="false">http://drawclose.com/snowblood/?p=1230</guid>
		<description><![CDATA[When I got to Colin's, he opened the door and I asked, "Do you have TV?" and he asked, "Do you have cigarettes?" The F-16's that were scrambled from outside of Boston buzzed the house in Jamaica Plain as we smoked on the porch after watching the second tower come down. 

We spent the rest of the day recording my super-slow violin performance of Ave Maria. That what I had planned to record that day.]]></description>
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		<title>how do we tell ourselves about war as it happens?</title>
		<link>http://drawclose.com/snowblood/2011/08/how-do-we-tell-ourselves-about-war-as-it-happens/</link>
		<comments>http://drawclose.com/snowblood/2011/08/how-do-we-tell-ourselves-about-war-as-it-happens/#comments</comments>
		<pubDate>Sat, 20 Aug 2011 19:36:02 +0000</pubDate>
		<dc:creator>ms.snowblood</dc:creator>
				<category><![CDATA[poetics of annihilation]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[art as communication]]></category>
		<category><![CDATA[art in history]]></category>
		<category><![CDATA[art used as propaganda]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[holocaust]]></category>

		<guid isPermaLink="false">http://drawclose.com/snowblood/?p=1205</guid>
		<description><![CDATA[During World War II they made posters. The exhibit includes display of stencils used to make one image, since most of these posters were made using spray paint and stencils in a modified printmaking technique. Each country used painterly images to talk about enduring the process of making war, giving faces of sorts to enemy leaders, and create images to tell the story of discovering the atrocities perpetuated in the Germans' Holocaust. Selections from Windows on the War at the Art Institute of Chicago.]]></description>
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