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	<title>snowblood&#039;s parasol &#187; review</title>
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	<link>http://drawclose.com/snowblood</link>
	<description>never get to that place where you think you know</description>
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		<title>Local Film : Blanc De Blanc</title>
		<link>http://drawclose.com/snowblood/2010/01/local-film-blanc-de-blanc/</link>
		<comments>http://drawclose.com/snowblood/2010/01/local-film-blanc-de-blanc/#comments</comments>
		<pubDate>Sun, 10 Jan 2010 05:32:15 +0000</pubDate>
		<dc:creator>ms.snowblood</dc:creator>
				<category><![CDATA[film]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[blanc de blanc]]></category>
		<category><![CDATA[local]]></category>
		<category><![CDATA[lucas mcnelly]]></category>
		<category><![CDATA[mcnelly]]></category>
		<category><![CDATA[Pittsburgh]]></category>

		<guid isPermaLink="false">http://drawclose.com/snowblood/?p=261</guid>
		<description><![CDATA[Local director Lucas McNelly and his team took a two-week filmmaking challenge and created an intimate poem of a film. I&#8217;d love to tell you the story; this would, of course, ruin the viewing experience for you. An unlikely love story between Jude (Rachel Shaw), a young ER nurse working at UPMC Shadyside, and Dave [...]]]></description>
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		<title>Sixteen Birds &amp; Inflatable Architectural Body at Wood St</title>
		<link>http://drawclose.com/snowblood/2009/03/sixteen-birds-inflatable-architectural-body-at-wood-st/</link>
		<comments>http://drawclose.com/snowblood/2009/03/sixteen-birds-inflatable-architectural-body-at-wood-st/#comments</comments>
		<pubDate>Mon, 23 Mar 2009 03:06:01 +0000</pubDate>
		<dc:creator>ms.snowblood</dc:creator>
				<category><![CDATA[installation art]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[kinetic]]></category>
		<category><![CDATA[sculpture]]></category>
		<category><![CDATA[wood st gallery]]></category>

		<guid isPermaLink="false">http://drawclose.com/snowblood/?p=253</guid>
		<description><![CDATA[artists : Chico MacMurtrie/AmorphicRobotWorks immediate impressions : - kinetic sculpture - robotics - zen mechanics - alienation - pseudo-industrial &#38; regulatory translation of natural processes - computer &#8211; aided (mac minis in the cieling) - white on white on white with silver accents, pseudo-surgical tubing, touches of lubricating gel - oh! where&#8217;s my patience. so [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Angels in America : Part I. At Pitt</title>
		<link>http://drawclose.com/snowblood/2009/02/angels-in-america-part-i-at-pitt/</link>
		<comments>http://drawclose.com/snowblood/2009/02/angels-in-america-part-i-at-pitt/#comments</comments>
		<pubDate>Fri, 27 Feb 2009 16:03:37 +0000</pubDate>
		<dc:creator>ms.snowblood</dc:creator>
				<category><![CDATA[review]]></category>
		<category><![CDATA[theater]]></category>
		<category><![CDATA[Angels In America]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[lighting design]]></category>
		<category><![CDATA[Pitt]]></category>
		<category><![CDATA[set design]]></category>
		<category><![CDATA[stage design]]></category>
		<category><![CDATA[University of Pittsburgh]]></category>

		<guid isPermaLink="false">http://drawclose.com/snowblood/?p=275</guid>
		<description><![CDATA[This weekend marks the last two performances of Angels in America Part 1: Millennium Approaches. University of Pittsburgh Repertory Theater, directed by Holly Thuma, made the commitment to Angels. They&#8217;ve assembled a wholly original staging. Ted Hoover&#8217;s review in the City Paper covers the historic nature &#38; inherent difficulties of staging Angels. All the necessary [...]]]></description>
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		<title>extreme canvas</title>
		<link>http://drawclose.com/snowblood/2006/01/extreme-canvas/</link>
		<comments>http://drawclose.com/snowblood/2006/01/extreme-canvas/#comments</comments>
		<pubDate>Mon, 30 Jan 2006 04:31:54 +0000</pubDate>
		<dc:creator>ms.snowblood</dc:creator>
				<category><![CDATA[review]]></category>
		<category><![CDATA[the critic]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[extreme canvas]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[Pittsburgh]]></category>

		<guid isPermaLink="false">http://drawclose.com/snowblood/?p=1082</guid>
		<description><![CDATA[If you have a chance to see the show at the African American Cultural Center&#8217;s 209/9th Street Gallery in downtown Pittsburgh, do so. A collection of hand-painted movie posters from Ghana used to promote movies shown by local video clubs, the Cultural Center&#8217;s website provides more background. The show itself provides extraordinary evidence of the [...]]]></description>
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		<title>the van gogh drawings at the metropolitan museum of art</title>
		<link>http://drawclose.com/snowblood/2005/11/the-van-gogh-drawings-at-the-metropolitan-museum-of-art/</link>
		<comments>http://drawclose.com/snowblood/2005/11/the-van-gogh-drawings-at-the-metropolitan-museum-of-art/#comments</comments>
		<pubDate>Wed, 02 Nov 2005 03:53:03 +0000</pubDate>
		<dc:creator>ms.snowblood</dc:creator>
				<category><![CDATA[drawing]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[the critic]]></category>
		<category><![CDATA[becoming]]></category>
		<category><![CDATA[becoming vincent]]></category>
		<category><![CDATA[celebrity]]></category>
		<category><![CDATA[cult of audience]]></category>
		<category><![CDATA[cult of famous artists]]></category>
		<category><![CDATA[cult of vincent]]></category>
		<category><![CDATA[development]]></category>
		<category><![CDATA[madness]]></category>
		<category><![CDATA[mastery]]></category>
		<category><![CDATA[vincent]]></category>
		<category><![CDATA[vincent van gogh]]></category>

		<guid isPermaLink="false">http://drawclose.com/snowblood/?p=1076</guid>
		<description><![CDATA[If it is at all possible for you to see this artwork, do. Not because Van Gogh has become an industry, not because Van Gogh is famous. Because the work is amazing.


Brave the crowds. The unwashed, the blaring I-pod-wearing fatties, the pushy, the respectful, the Kevin-Bacon-listening tour nuts, brave them all for a shot at looking at work that is not good, but great.


The show collects an enormous amount of Van Gogh's drawings in one place, allowing the viewer the luxury of watching his skill develop over ten short years of disciplined practice. The line available in his paintings - the charactered outline - develops first in his drawings. He struggles for it, works towards it, gets it, and then, it dissolves as his markmaking verges on brushwork instead to capture large areas of movement or color in the natural landscape. It dissolves as he dissolves towards the end.]]></description>
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